Reflections

Reflections

Martin Joergensen

Sometimes you want the opposite of a clear surface and a look into the depths. You want reflections. And just as clarity can be stunning, so can a well placed reflection - clouds, a mountain side, the angler, the sun - it can all add tremendously to an otherwise ordinary picture.
The classic picture of a reflection is that of the sky and the mountains in a high altitude lake or the fall foliage in a calm forest lake surface, but once you start looking, you will see reflections in many other ways: in car hoods and roofs, in riffled water, in wet surfaces, in sunglasses and a lot of places, that more or less perfectly mirrors the surroundings.

The best and most precise

reflections are rendered by smooth and mirror-like surfaces. Water is an excellent reflector, and a calm surface can render the background in surprising detail. One predicament for getting a clear reflection is light on the subject you want to reflect. The more light the more clear the reflection.
The classical reflection of a shoreline in a calm lake can render an almost perfectly symmetrical image, which can be turned upside down, almost without ruining the overall impression of the subject. You rarely find surfaces that calm, but it does happen.

Blurry reflections

can work well too. The most common blurry reflection is that of a rising or setting sun in the water, which will typically not draw a circle, but rather a long line from the sun towards the viewer, created by the slightly riffled surface breaking up the shape.
Contrasting objects like white clouds on a clear blue sky will also reflect in even very broken surfaces, and create an interesting counterbalance in an image.

Dominant or not

Martin Joergensen

You can choose

to make the reflection a smaller part of the image, make it an equal part through symmetry or even making it dominant, by shooting the reflection rather than the main subject. Tipping your camera up or down to get one or the other is always worth trying, and can sometimes give some surprisingly pleasing results.

Gear pictures

can become vastly more interesting if you add a reflection. The symmetry obtained and the extra "copy" of the equipment can move the image from a plain image of the gear to something very interesting. Use a car hood or roof, the water surface, wet sand or something else that will act as a mirror, and you can change the bland to something very appealing.

Gear

Martin Joergensen

If you have a camera

that can go underwater, you can utilize the very clear reflection that can be created by the underside of the water. Pointing the camera up from below a submerged subject like a fish or a rod, will most likely give you a very visible and precise reflection above the subject and underscore that fact that you are seeing the subject under the water.

Topside, underside

Henning Eskol - Ken Bonde Larsen - Martin Joergensen - Kasper Muhlbach

More reflections

Martin Joergensen - Henning Eskol - Hans Jacob Schou