Ken's Cuteling

Cute />The Cuteling is called as it is because it's cute!Martin Joergensen - Ken Bonde Larsen

Now, cute doesn't cut it when it comes to imitating baitfish and catching more fish, but this fly is more than cute. It's actually also very identical to the natural.
It's a simple fly to tie, uses easily accessible materials and can be varied endlessly to look like any small fish. The tan color is a natural choice for the sculpin lookalike, but choose a combination of gray and silver to get a small pelagic fish, olive or black to get close to a darker type of fish, and white to get... well, a white fish. Rare in real life for sure, but white flies seem to work well, so a white variation may be worth having in the box.
You can of course simply make the tail one color and the body another. You can also mic dubbing of dark and bright colors in the loop to get a veriegated look.
If you want to be really artistic, your can break out your waterproof markers and start designing all kinds of color variations.

As is the case with many of Ken's other patterns, the Velcro stick is an important tool when tying the Cuteling. When you dub traditionally or use a dubbing loop like on this pattern, the result can typically become very fluffy or very tight. Some tyers can get a perfect body just dubbing, but the rest of us will have to use the Velcro to brush things in shape.
By combing the materials with Velcro while tying and after the fly is done, you get a more uniform shape and a smoother and more translucent look. And don't restrain yourself! You can be rather tough on the fly with the brush. As long as the dubbing has been applied firmly enough, the amount of material that you comb out of the fly is limited.

Ken's box gff

Henning Eskol

Instructions

Step 1 - weight	Step 2 - secure	Step 3 - start thread
Step 4 - eyes	Step 5 - cover shank	Step 6 - tail
Step 7 - tail done	Step 8 - flash	Step 9 - body tinsel
Step 10 - varnish	Step 11 - wrap the body	Step 12 - secure tinsel
Step 13 - dubbing loop	Step 14 - thread forward	Step 15 - a final layer
Step 16 - dubbing	Step 17 - position dubbing	Step 18 - ready to twist
Step 19 - twist	Step 20 - wrap dubbing	Step 21 - under the eyes
Step 22 - comb	Step 23 - continue forwards	Step 24 - messy body
Step 25 - after brushing	Step 26 - whip finish and varnish	Step 27 - all done!

Martin Joergensen

Sculpin land

Ken Bonde Larsen